POWER PRESS KIT™
11/7/2024 12:31:12 AM

Paula Atherton Power Press Kit

Paula Atherton

myPPK.com/get/paulaatherton

Jazz contemporary jazz New York, NY United States

Members

  • Paula Atherton - sax, vocals, songwriter

Additional Details

"Close your eyes and imagine a world where Latin rhythms swirl with smooth, soulful saxophones, flute, and vocals punctuated by infectious grooves. That’s the world Paula Atherton creates with her latest album, Dancin’ Shoes. A powerhouse in contemporary smooth jazz with a string of hit songs and collaborations with renowned artists, Atherton’s 7th studio album is a vibrant exploration of genres that will get you moving."
- Staccatofly

About Paula Atherton

Paula Atherton Dancin' Shoes Review Jazz Sensibilities
March 15th, 2024


Paula Atherton’s seventh full-length album, Dancin’ Shoes, is a vibrant mosaic of contemporary smooth
jazz that blends her adept skills as a saxophonist and singer-songwriter with the expertise of renowned producers such as Greg Manning, Adam Hawley, Jacob Webb, Curtis Harmon, and Lou Gimenez. The album boasts an impressive lineup of four top 10 hits: “Keep it Comin’,” “Ready or Not,” “Open Road,” and the titular “Dancin’ Shoes,” marking Atherton’s continued presence in the smooth jazz world.
Dancin’ Shoes commences with “Baila,” an up-tempo Latin-influenced track that showcases Atherton’s round, warm flute sound. It interplays beautifully with rhythmic band hits and creates an irresistible urge to dance. Atherton’s engaging solo work and motivic development set a theme for the album. After hearing this ensemble’s performance encapsulating a light, joyous Latin flavor merged seamlessly with a smooth jazz groove, you will certainly want to dig deeper.
The album’s journey continues with “Inside Out & Backwards,” where a funky groove underpins Atherton’s dynamic alto saxophone, enlivened by punchy horn sections and a compelling fusion guitar solo by Lou Gimenez. The track

exemplifies Atherton’s ability to infuse energy and forward motion into her compositions, making it a standout piece for its rhythmic allure and intricate solo work.
“Keep it Comin’,” produced by Jacob Webb, exhibits a classic smooth jazz aesthetic, with Atherton’s agile alto sax playing taking center stage. The track’s fluid composition is the perfect setting to showcase Atherton’s saxophone screams and chromatic approaches as she dazzles with her versatility and technical fluidity.
“Give Me A Reason” slows the pace with a soulful shuffle ballad, featuring Atherton’s expressive sax and heartfelt vocals. Her emotive delivery and rich tonality in both instruments highlight her deep R&B and blues influences, making this ballad a poignant moment on the album.
The title track, “Dancin’ Shoes,” features a medium-up funky beat that lives up to its name. Atherton, Gimenez, and Manning’s collaboration produce an engaging and rhythmically infectious composition, promising to get listeners moving.
“Soul Picnic” and “Ready or Not” further diversify the album’s sound palette, from the laid-back, sunny vibes of a family picnic to the smooth, relaxing grooves courtesy of Atherton and Hawley’s collaboration. These tracks exemplify Atherton’s skill in crafting songs that resonate on multiple levels, from the joyous to the contemplative.
Atherton’s take on Curtis Mayfield’s “Move on Up” and the collaboration with Curtis Harmon on “Time Out” pay homage to their origins while injecting a fresh, funky energy highlighting her vocal and instrumental versatility. The album’s narrative concludes with “Open Road,” a driving groove that encapsulates the feeling of embarking on a new adventure, perfectly rounding off the journey that Dancin’ Shoes represents.
Throughout Dancin’ Shoes, Atherton demonstrates her profound musicality, versatility, and ability to convey emotion through her instruments and voice. The album’s production, courtesy of its stellar lineup of producers, complements Atherton’s vision, resulting in a cohesive and diverse collection with something for every listener. Dancin’ Shoes is a compelling addition to her discography and a must-listen for fans of contemporary jazz.
Paula Atherton’s seventh full-length album, Dancin’ Shoes, is a vibrant mosaic of contemporary smooth
jazz that blends her adept skills as a saxophonist and singer-songwriter with the expertise of renowned producers such as Greg Manning, Adam Hawley, Jacob Webb, Curtis Harmon, and Lou Gimenez. The album boasts an impressive lineup of four top 10 hits: “Keep it Comin’,” “Ready or Not,” “Open Road,” and the titular “Dancin’ Shoes,” marking Atherton’s continued presence in the smooth jazz world.
Dancin’ Shoes commences with “Baila,” an up-tempo Latin-influenced track that showcases Atherton’s round, warm flute sound. It interplays beautifully with rhythmic band hits and creates an irresistible urge to dance. Atherton’s engaging solo work and motivic development set a theme for the album. After hearing this ensemble’s performance encapsulating a light, joyous Latin flavor merged seamlessly with a smooth jazz groove, you will certainly want to dig deeper.
The album’s journey continues with “Inside Out & Backwards,” where a funky groove underpins Atherton’s dynamic alto saxophone, enlivened by punchy horn sections and a compelling fusion guitar solo by Lou Gimenez. The track

exemplifies Atherton’s ability to infuse energy and forward motion into her compositions, making it a standout piece for its rhythmic allure and intricate solo work.
“Keep it Comin’,” produced by Jacob Webb, exhibits a classic smooth jazz aesthetic, with Atherton’s agile alto sax playing taking center stage. The track’s fluid composition is the perfect setting to showcase Atherton’s saxophone screams and chromatic approaches as she dazzles with her versatility and technical fluidity.
“Give Me A Reason” slows the pace with a soulful shuffle ballad, featuring Atherton’s expressive sax and heartfelt vocals. Her emotive delivery and rich tonality in both instruments highlight her deep R&B and blues influences, making this ballad a poignant moment on the album.
The title track, “Dancin’ Shoes,” features a medium-up funky beat that lives up to its name. Atherton, Gimenez, and Manning’s collaboration produce an engaging and rhythmically infectious composition, promising to get listeners moving.
“Soul Picnic” and “Ready or Not” further diversify the album’s sound palette, from the laid-back, sunny vibes of a family picnic to the smooth, relaxing grooves courtesy of Atherton and Hawley’s collaboration. These tracks exemplify Atherton’s skill in crafting songs that resonate on multiple levels, from the joyous to the contemplative.
Atherton’s take on Curtis Mayfield’s “Move on Up” and the collaboration with Curtis Harmon on “Time Out” pay homage to their origins while injecting a fresh, funky energy highlighting her vocal and instrumental versatility. The album’s narrative concludes with “Open Road,” a driving groove that encapsulates the feeling of embarking on a new adventure, perfectly rounding off the journey that Dancin’ Shoes represents.
Throughout Dancin’ Shoes, Atherton demonstrates her profound musicality, versatility, and ability to convey emotion through her instruments and voice. The album’s production, courtesy of its stellar lineup of producers, complements Atherton’s vision, resulting in a cohesive and diverse collection with something for every listener. Dancin’ Shoes is a compelling addition to her discography and a must-listen for fans of contemporary jazz.

Images

At Berks Jazz Festival
From "Enjoy the Ride"
From "Enjoy the Ride"
Cover of "Groove with Me"
With Nick Colionne at Rehoboth Beach Jazz Festival
with Jazz in Pink at Carson Jazz Fest in CA
At Las Vegas Jazz Festival with Jazz in Pink
At Berks Jazz Fest with Jazz in Pink
From "Groove with Me"
At Balcones Heights Jazz Festival, TX
At Balcones Heights Jazz Festival, TX
At Rehoboth Beach Jazz Fest. with Art Sherod, Jr. Alex Bugnon, Gerald Albright, me, Eric Darius, Nick Colionne, Joey Sommerville
 Joey Sommerville, Marion Meadows,Steve Cole, me, Elan Trotman,Art Sherrod Jr, Mindi Abair and Peter White at Rehoboth
End of performance bow at Rehoboth
Playing through the crowd with Nick Colionne
At the Redstone Room in Iowa, Valentine's Day show
At the New Brunswick Jazz Fest with Hiroshima
Cindy Bradley and I at New Brunswick Jazz fest
At Bethesda Blues and Jazz Club in Bethesda, MD
At Bethesda Blues and Jazz Club in Bethesda, MD
On Stage at the Atlanta Smooth Jazz Festival
At the Atlanta Smooth Jazz Festival
At Building 24 in PA
Thanks to radio48.com, a shot from Atlanta Smooth Music Festival 2015
The Mendel Center Rejoice Holiday show 12/21 17
Carol of the Bells from "Rejoice" Holiday show
From Rejoice Holiday Show at the Mendel Center, Benton Harbor MI
On Stage at the Mendel Center in MI
Playing "Carnivale" from "Ear Candy" at the Mendel Center in MI
Full Band (minus Ted Yoder) at Rejoice Holiday show in MI
At Mendel Center Benton Harbor, MI 12/ 19/ 17
Back Cover of "Can You Feel It"
Inside wallet pic for "Can You Feel It"
At the John E. Lawrence Jazz Festival Ypsilanti, MI 2022
Playing in the audience at the Empress Theater in Vallejo, CA
A Shot from The Land of Enchantment Festival in Albuquerque
The Land of Enchantment Jazz Fest, Albuquerque, NM
Paula Atherton at Brothers in VA
Paula Atherton at Brothers in VA
Cindy Bradley & I in Melbourne, FL
on channel 6 WTVR morning show Virginia Aug 2023
Open Road pic
can you feel it cover pic
Summer Song
Ready or Not
At the Perfect Note Atlanta