Delly Ranx

About

Internationally recognized artist and producer Delly Ranx represents the perfect combination of pure talent, showmanship, and song-making ability. Delly Ranx has established himself as a fixture in the music industry, both as a hard-hitting melodic deejay with strong lyrical content, and as a critically-acclaimed producer.

Born Delroy Isaac Foster and hailing from the great city of Kingston, Jamaica. Delly gravitated towards music at an early age. When he was nine years old Delly won a popular youth talent contest in his community, which earned him the respect of his peers and marked the beginning of his musical journey. After graduating high school, it didn’t take long for Delly to record his first hit song “Sound Boy General”. Hits continued to come for Delly Ranx with dancehall classics "Gal Nuh More Than You", "Pelpa", "What a Gyal", and "Headache" (ft. Elephant Man), to name a few.

As a producer, Delly Ranx touched the Billboard charts with his production "Weh Dem a Do" by Mavado. He also produced "Ganja Breed" on Sean Paul's Dutty Rock album, which won a Grammy and went platinum. He also produced the smash hit “Family by Popcaan which is firmly planted on iTunes top 100 reggae songs.

Delly has released five studio albums: Break Free (2006), Good Profile (2009), The Next Chapter (2012), Sweet Reggae (2014), and Weed Market (2018). He also released five EPs: Chapter 3 (2014), Loyalty (2016), Reggaelution (2018), and Need Your Love (2019). He is featured on numerous riddim projects and continues to put out high-quality music.

Ranx performed in front of a sold-out National Stadium as part of Buju Banton’s Long Walk To Freedom Tour. The energy is palpable with Delly's latest dancehall single “Move Left di Crowd”, while his ganja anthem "Weed Market" has captured the crowd of cannabis consumers . From the production side, Delly reuintes with Sean Paul on the Firestick Riddim project which also includes songs by Mr. Vegas, Demarco, and others. The veteran artist and producer continues to provide great music for his fans and the world.

Press

Album Review - Weed Market (external link)

REVIEW
ALBUM REVIEW: DELLY RANX - WEED MARKET
02/02/2018

by Dan Dabber

Album Review: Delly Ranx - Weed Market
Though ganja tunes have flowed from Jamaica at a steady rate since the mid-70s, there is only one reggae artist pushing the cannabis agenda to the extreme in their music right now - Delly Ranx. His new album, Weed Market, is wholly dedicated to ganja and the growing culture that supports it. And, like a dealer liberated from the black market by recent changes in marijuana laws who can now sell his wares in upscale boutiques, Ranx is refining the ganja tune, offering a variety of perspectives, strains, and riddims, which are sure to please even the most discerning consumer.

The very first draw from Weed Market is the titular track, a detailed description of a wholesale cannabis market laced with good vibes, intermittent smoke breaks, and a laundry list of strain names, all of which seem to sell off quite easily. But more importantly, Weed Market is the song that sets the pace for the first part of the album’s journey, a speed that, fueled by relatively slow one drop riddims, can only be described as indica. (Well, one might also describe it as relaxing, chill, or laid back.) But the pace approaches sativa levels with the sixth track, Weed Glutton, as Ranx takes the ganja theme to the dancehall with a hard-edged, syncopated backing riddim. The next three tunes continue this high-energy jaunt until the last two songs, Chalice Affi Blaze and Ganja Devotion, which wind down the album’s musical calisthenics with a brief cool down period. This overall building up and subsequent breaking down of the vibes over the course of the album creates a wave of emotions, despite the uniformity of lyrical themes, that will suck even habitual listeners in, whether they are sober enough to realize it or not.

Aside from the intoxicating subject matter and wavy vibes, Weed Market’s greatest asset is Delly Ranx’s consistency. Very few artists, in reggae or otherwise, are as prolific while consistently maintaining such a high level of quality. Weed Market is yet another addition to his superior canon, with 11 songs and not one that I would suggest skipping on the first listen. That’s high praise, but it also makes it difficult to narrow down a favorite selection from Weed Market. More than anything, I was pleased to see so many of my favorite previously released Delly Ranx-ganja tunes from the last few years on the album - tracks like High Grade Alone from Royal Order Music’s 2014 various artist release, Cultivator Riddim, Super Love Record’s 2016 single, Farmers Bring It, and Blaze Up Di Trees, which was released in 2015 as part of the New Baby Riddim juggling from Ranx’s own label, Pure Music Productions.

Even Ranx’s most attentive fans will find a handful of new tracks tailored specifically for Weed Market, including the previously mentioned songs, Weed Market and Weed Glutton. There’s also Light It & Puff, a newly released dancehall tune that, again, pivots lyrically on strain names, adding Lemon Skunk, Sour Diesel, Power Plant, Big Bang, and Strawberry Cough to the selection. Ranx also drops the name Kheil Stone in the tune, a reference to the Kheil Stone Music label. Some light googling confirms that this riddim, apparently called Gringo, comes from the Kheil Stone camp, which has worked closely with Delly Ranx and Pure Music for several years. What’s interesting about Gringo is that I cannot find an official release for the juggling, but there are at least two other versions of the riddim, all voiced by different artists, that were released last year as either a single or a track from an album. This indicates that a full Gringo juggling release from Kheil Stone is likely sometime in 2018.

Despite the strong identification of reggae with ganja, not all of the genre’s artists and fans are cannabis users. That ganja use is required of reggae artists and fans is an oft disputed stereotype, and so Delly Ranx’s entire album, which lauds and explores the herb is sure to trigger at least one uptight music nerd. But that risk is absolutely worth the reward if Ranx can earn some new fans from the increasingly expanding cannabis community. With the acceptance of ganja use on the rise, the time has come for reggae music to claim its rightful place as the official soundtrack of this brave, new, totally stoned world.

Peter Tosh may not have lived long enough to see legalization and make good on his promise to advertise it, but I get the feeling Delly Ranx is more than happy to pick up the slack.

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Album Review - Sweet Reggae (external link)

ALBUM REVIEW: DELLY RANX - SWEET REGGAE
07/21/2014

by Munchy

AS DIVERSE AS ITS STORIES ARE THE MUSICAL FACETS OF THE ALBUM.
Album Review: Delly Ranx - Sweet Reggae
So, I guess mesh marinas are back in the spotlight. Yes, we are talking that questionable piece of clothing that has never really revealed its sense to me as it does neither cover up nor protect the body anyway. But, as one wise scholastic already knew: There is no arguing of taste. And speaking of phrases, one should not judge a CD by its cover anyway, right?! So we'll leave the fact aside that Delly Ranx poses in a yellow see-through piece on the front picture of his latest album and focus on the inside of Sweet Reggae.

Opening the selection with the previously released title track the listener can dive right into heavy drum and bass, flickering delays, ponderous horns, that create a fascinating old school dub vibe. In a slow-down motion Sweet Reggae narrates a party tale of flashing lighters, skanking dancers and a massive ready to give a forward and buss a blank. ”Officer, officer, gimmie a bligh now!”, Delly begs a police man for some support in the intro of Juggle Me A Juggle right after. The mid-tempo one drop produced by fellow artist Mr. Vegas is a classical hustlers anthem telling the story of a little ganja dealer, who finds himself on the edge of being charged. Delly Ranx is mostly known for his production works, yet repeatedly proves his talent as a narrator. Pictorial lyrics are ear-catchers and surprising twists keep it refreshing. Real Gyalis for example is gladly not another self praise of a popular man, but the reminder that “real gyalis never look dem friend gyal”. In One More Dead we meet a petty thief, who has to face his final judgement and Cyber Love describes the many aspects of modern technology like skype and facetime in today's relationships.

As diverse as its stories are the musical facets of the album. From Worldwide Love on Jugglerz' Penthouse Riddim, a rich one drop featuring Dean Fraser on saxophone, to the minimalistic dancehall beat of Silly Billy, whose sinister synths resemble Mad House 85 juggling, all 14 tracks stay true to the album title and offer indeed a great variety of sweet reggae and its different forms.