Flynnville Train

Country Rock'n Country Middletown, IN United States

About Flynnville Train

Flynnville Train is an irresistible, powerful, hard driving combination of Rock, Southern Rock and Country, with heart-stopping guitar riffs and nostalgic vocals. ...

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Members

  • Brian Flynn - Lead Vocals
  • Brent Flynn - Lead Guitar, Harmony Vocals
  • Tommy Bales - Drums
  • Joseph Shreve - Bass, Harmony Vocals

Links

ReverbNation Flynnville Train website Facebook Twitter YouTube

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Press

Flynnville Train is no stranger to the road or studio. They are good ole boys who have weathered fire and rain to make it to where they are today. With luck and a lot of prayers they are hitting the music scene with flying colors. As I traveled through the tracks back and forth, I could hear the influences of artist that ranged from the Headhunters to Wet Willie with a little rock sprinkled in. I thought: what would you call this ‘format’ of influence? Then it hit me: just as the Allman Brothers and Lynyrd Skynyrd created their own genre, Flynnville Train has created one too. Southern Country is what I came up with. They are not your pretty boy country. They sing about the real world, real country and real family. Their faith is evident on several tracks, including track six. “Jesus Friend Of Sinners” is almost in the category of rock. The words are very hard core and in your face. The swirl of 70’s rock lingers in the melody. It makes you think about Judgment day. As I was driving to Muscle Shoals, Alabama, on a music business trip, I thought I would pop in the CD for a listen. My husband, who really is a non country music fan said, “Oh no, can we leave it Sirius XM?” I said no and hit play. “Home” is the first cut and the first 5 bars is a beautiful melodic mandolin, my husband says “No way, no bluegrass!” ... Two seconds later the hard lead guitar and driving drums kick in with the first line, with words of “I cut my teeth on shotgun shells.” With the distinction of a jamming banjo in the background, it was ear candy. I wish I could have posted the look on his face on my Facebook page. It was priceless! Another awesome thing? The band pitched in as writers as they did all throughout the album. As I hit number two, the lyrics to “Preaching To The Choir” hit me like a brick. It is a different twist to America’s news stories in song. Lines like “If you’d like a chance to wrap your hands around the neck of that SOB that hurt that kid on the evening news” and “If you know there ain’t no hero like a soldier, but you hate to ever have to send them over” that tell it like it is. Almost like an ode to Charlie when he sang the song “Simple Man.” Also on cut number three the boys shine as writers for “On Our Way.” The guitar lead in this has a ring of Duane Eddy and the twang of southern rock. The song is a tale of a true family bond, a closeness where music is a dream that comes full circle. “33 Steps” is a tribute to the places that surround the Ryman; historical places that are “33 Steps” to the Grand Ole Opry. It has a touch of melancholy, the broken dreams & musical aspirations that are just in or out of reach. Totally opposite is the next cut, “Alright.” This sounded like their neighbors, the Kentucky Headhunters, gave them a sprinkle of fairy music dust. They do the boys proud on this one. I could also almost hear the ‘hunters on “Tip A Can.” Loved the beach beat infused with the oscillating guitar. The ballad song on this CD is called “The One You Love.” If someone had bet me that the Headhunters were present on this song, I would have said, “No.” Well I lost that one. The majority of the Headhunters are listed as the writers. Doug Phelps, Richard and Fred Young bring a certain taming to the unbridled musical tiger in these boys. Much like the fans they sing about in “Turn Left.” NASCAR fans are the best. You can’t be southern country and not love NASCAR! Cut 11 and 12 are totally 180 degrees from each other, but they make it work... from the spectacular pumping guitars in “Scratch Me Where I‘m Itchin” (co-written by Jimmy Hall & Jeffrey Steele) to the remake of the band America’s 1971 hit “Sandman.” This song brings the band together in harmony that echoes the sound of Crosby, Stills & Nash. It is a translation of anger over 9/11 and what happened to our country. They are in full support of our troops. The tranquil and impeccable sound in the production is flawless. Which is a perfect ending to a rock and country album, by rock and country boys.

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Influences

The Beatles, Jimi Hendricks, ZZ Top, Marty Stuart, The Kentucky Headhunters, Creedence Clearwater Revival, BB King, George Jones, Chuck Berry, REO Speedwagon, Lynyrd Skynyrd, Rush